“It’s true, mister!” – Mama K’s True Stories

A long time ago when a lot of us worked at City Limits (I was its music editor), I asked Michele Kirsch to write a column for us. She was (and remains) an old and fabulous pal from our NME days and she always told extraordinary stories: about her days in her native NYC, about 1980s downtown, about her life in London, anything was game and everything was strange. She was writing the folk column at CL in those days, too, and we always knew when a story was about to begin because she’d push her typewriter forward and launch into one. “It’s true, mister!” was how they always ended up and they were always hysterical. In fact, that’s become a catchphrase for quite a few people.

The CIty Limits fax machine was on the ground floor and we were on its third floor. Mama Kirsch’s True Stories was a hit from its first week. Each time a new one arrived, a shout would ring out from downstairs: “Mama Kirsch’s in!” and the fax would be passed up the stairs, everyone reading it as it progressed upwards. Deborah Orr, one of the editors, quickly moved the True Stories into the main pages of the mag. The stories were unique: a kind of Cookie Mueller (minus the drugs) for our times. Come to think of it, Michele loved Cookie Mueller.

Things changed. City Limits was fatally wounded by the economic recession in the early 1990s. It was bought out. We all left. We did other things. Many of us have stayed in journalism to the detriment of sanity and income. And Michele Kirsch, after some time away, has resurrected the True Stories. Her WordPress page (see my earlier re-posting) reprints one of the original ones.

Can’t wait for more, and remember, they’re all true.

Find Mama K’s True Stories at:

http://michelekirsch.wordpress.com/2014/03/24/a-long-time-ago-i-slept-with-the-stars-sort-of/ 

 

 

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A long time ago I slept with the stars, sort of.

mama k's true stories

I slept with a bunch of celebs over a long weekend in the 80s.
 

Well OK, not live in person. 
 
For one long weekend in the early 80s, I was locked up in a small room in New York’s West Village. The sole furnishings were thousands of back issues of Andy Warhol’s Interview magazine. This was a storage space for unsold copies and my good friend Buzz was squatting in it, his taxi-driver wages not sufficient to cover any sort of rent. It was uninhabitable. He lived there for two years.

It was early on in the Reagan era. We had such a mutual horror of this president and, looking back on it, of life in general, that we decided it might be best to hide away, read poetry and spend any spare money on Valium. It was so easily available on prescription back

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Musicworks: the soundworlds of ‘musician-citizen’ Victor Gama

© Rajele SL

Victor Gama playing on the dino, one of his invented instruments. Photo © Rajele SL

Part of my article on the artist, instrument-builder and musician-citizen Victor Gama is out now in the latest issue of Musicworks magazine. Gama, an Angolan-Portuguese artist based near Lisbon, draws no distinction between the fields of the social, myth and the artistic — they are all of one concern. His concept of the musician-citizen is of huge importance for any serious artist.

photo © Victor Gama

Nests built by the sociable weaver birds in the deserts of southern Africa inspired Gama’s two-player instrument, the  toha. Photo © Dillan Marsh

Get Musicworks‘ Spring 2014 issue for the full article; meanwhile check out the links and videos that Musicworks have included on its online version. Web links and resources Musicworks https://www.musicworks.ca/featured-article/victor-gama-builds-brave-new-soundworld https://www.musicworks.ca/ Victor Gama www.pangeiainstrumentos.org www.tsikaya.org www.victorgama.org Victor Gama’s Tsikaya – Huambo Música Sessions is available now on CD